Best of 2011: Albums

1. Adele - 21. This year, Adele's 21 proved resolutely that the pop album is not dead. That a young woman from Britain can release an album to near universal acclaim and appeal is really something, recalling the great pop albums of the '80s. In an era where tastes are sliced, diced, dissected, genred and market-tested to death, it's nice to know we can still all come together around something that we all like because it's just that good. Best: Someone Like You.

2. Lady Gaga - Born This Way. Lady Gaga is basically the polar opposite of Adele, but I have plenty of space for her and her dazzling third album in my year-end top 10. Born This Way was funkier and more ambitious than The Fame or Fame Monster, ultimately proving to be her best and most cohesive work yet. Even if the singles aren't all hitting #1 anymore, she's still got the touch. Best: Born This Way.

3. PJ Harvey - Let England Shake. This was the critics' favorite album of 2011, but don't let that stop you from enjoying it too. History buffs will appreciate Harvey's historical references to specific World War I battles. Music fans will just enjoy her eclectic mix of sounds and clever lyrics. Best: The Glorious Land.

4. The Strokes - Angles. This is the one album among my favorites that I'm surprised to see missing from most other year-end lists. I thought Angles, The Strokes' fourth album, was a winning return to form form the band many consider the most "important" of the '00s indie rockers, putting in some of their trademark simple arrangements but also exploring new wave and other territory. Best: Machu Picchu.

5. Foster the People - Torches. I'll give Torches the award for the year's best debut. Foster the People--aka this year's MGMT--dominated pop radio this fall with "Pumped Up Kicks," but their lively debut has lots of other gems from the indie band. I'm surprised they haven't scored a follow-up hit yet. Best: Helena Beat.

6. Will Young - Echoes. Here's one I'm not surprised isn't on a lot of year-end lists, but it's a shame, for Will Young turned out another fine pop album with Echoes, employing producer Richard X to give his love-spurned pop songs a pleasing electronic veneer. Best: Jealousy.


7. Coldplay - Mylo Xyloto. Coldplay continue to earn their keep on this fifth album. Although at times it feels that Chris Martin & company are too eager to please, they still churn out their brand of pop/rock uplift effectively. Best: Every Teardrop Is a Waterfall.


8. Florence + the Machine - Ceremonials. On their second outing, Florence Welch & co. rocked out with even bolder and better songs than on their 2009 debut Lungs, with a larger than life sound that proves everything and the kitchen sink can be a god thing. Best: Shake It Out.


9. The Weekend - House of Balloons/Thursday/Echoes of Silence. The modern R&B mix tape became a staple of 2011, as artists too cool for things like labels, albums and selling their music, took to the internet to give us free tastes of their remakes, remixes and original songs. The Weekend's House of Balloons was the best of that set, but his follow-up Thursday was interesting too, and although I'm just starting to enjoy his third set, Echoes of Silence, it's clear already that it ranks up with the other two. Best: What You Need.

10. Beyoncé - 4. With I Am...Sasha Fierce, Beyoncé proved she could put out a blockbuster two-disc concept album that stocked radio with hits and earned her critical acclaim at the same time. With her fourth album, 4, she didn't have to prove anything, freeing her to buck the electro trend and put out a mostly acoustic set ranging from the manic "Countdown" to the Prince-worthy "1+1." Although it didn't sell as well, it showed a great deal of artistry and continued growth. Best: Countdown.

11. Foo Fighters - Wasting Light. Along with Adele and Lady Gaga, this is one of three albums released this year nominated for the Grammy Award for Album of the Year. Although some said it was a surprise, I thought it was totally deserving, representing a solid set of muscular guitar-rock. Best: These Days.

12. The Decemberists - The King Is Dead. Gotta love a good indie band from my hometown, especially when they start the year off with putting out a great album like this. When I reviewed this album, I said they reminded me of a folksier, more backwater R.E.M. Best: Down by the Water.

13. St. Vincent - Strange Mercy. This was my first exposure to American musician St. Vincent, who put out this highly compelling set of eclectic and deftly produced tunes. Best: Chloe in the Afternoon.



14. James Blake - James Blake. Another important trend this year was dubstep, which, frankly, I still have trouble identifying, but apparently this was one example. Whatever you want to call it, I thought it was crafty, soulful electronic that recalled both The XX and Bon Iver. Best: The Wilhelm Scream.

15. Lykke Li - Wounded Rhymes. Joining the long line of Swedish pop tradition (Abba, Roxette, Ace of Base, Max Martin, Robyn) this year was Lykke Li, whose lo-fi production style was, in many ways, the antithesis of the usual Nordic gloss, but still with an ear for a good pop tune. Best: Sadness Is a Blessing.

16. Noel Gallagher's High Flying Birds. Sure, Oasis split last year, but they all kept making music. You'll find the rest of the gang further down this list. Both were very good, but I felt that Noel Gallagher's songwriting skills meant that his album was just a little bit better. Best: If I Had a Gun...

17. Take That - Progressed. Take That's album Progress was one of my favorite albums of 2010. In fact, it's one of my favorite pop albums of all time. This follow-up EP was a welcome second helping of that album's greatness. Best: When We Were Young.



18. Amy Winehouse - Lioness: Hidden Treasures. Posthumous releases should always be viewed with suspicion, but thankfully this one manages to be an appropriate tribute to an amazing singer gone before her time. Her modern take on '60s soul remains one of pop music's most interesting tricks in recent years. Best: Our Day Will Come.

19. Jessie J - Who You Are. Jessie J received so much hype that it would be hard for the singer to live up to it. And yes, her album wasn't "all that," but it was still pretty decent pop from the strutting "Do It Like a Dude" to the affecting title track. She's got a lot of people in her corner. Album #2 could be even more interesting. Best: Who You Are.

20. The Civil Wars - Barton Hollow. Like Isobel Campbell & Mark Lanegan, Robert Plant & Alison Krauss and Glen Hansard and Markéta Irglová, The Civil Wars achieves a beautiful alchemy with the tried-and-true formula of a male/female vocal harmony over a lovelorn folksy sound. And then they kicked up their heels with the album's title track. Moving and fun. Best: Poison & Wine.

21. The Black Keys - El Camino. These southern-influenced blues rockers from Ohio shifted their sound more toward classic rock & roll for this seventh album. More and more they sound less like the stopgap for The White Stripes' absence and more like that duo's worthy successor. Best: Dead and Gone.


22. Ed Sheeran - +. I didn't get around to reviewing this album, since I only recently got it (consider it a 4/5 rating). Although I wasn't initially sold on Sheeran via "The A Team," in the end, I was ultimately won over by his acoustic-leaning pop debut, particularly its more upbeat tracks. Best: Lego House.

23. Radiohead - The King of Limbs. That Radiohead's eighth album is more of an exercise in sounds than in songs means this album won't be for everyone, but for those who like Kid A and Amnesiac because of that, then should be up your alley. Best: Bloom.


24. Kasabian - Velociraptor!. Fourth album by British rockers Kasabian finds them mining familiar '60s territory but with a bolder take than on their last album. Best: Days Are Forgotten.



25. Death Cab for Cutie - Codes and Keys. For their seventh album, these indie rockers from Bellingham, Washington, make their sound lighter and more modern than their recent works. Hints of Arcade Fire permeate the buoyant title track with its deep mix of strings, piano, guitar, bass and drums. Best: Codes and Keys.

26. Bon Iver - Bon Iver. The last thing Wisconsinite folk singer Justin Vernon probably thought when he released his 2008 debut, For Emma, Forever Ago, was that a few years later he'd be a major influence in alternative rock music. Even Kanye West got into him. On this second Bon Iver album, he gets a little more adventurous and manages to still please, even despite the deafening hype. Best: Towers.

27. Gil Scott-Heron and Jamie XX - We're New Here. Serving as an effective stopgap before the hotly anticipated second album from The XX, its member Jamie XX remixed nearly every track from the late soul and jazz poet Gil Scott-Heron, reinterpreting his quirky, final spoken-word album into a satisfying dose of late-night electronica. Best: The Crutch.

28. Frank Ocean - Nostalgia, Ultra. Singer Frank Ocean has been tipped to be a major breakout star next year. This year, however, he's already racked up a lot of acclaim for his self-released mix tape, a winning mix of original songs and remakes where he sings over popular songs with his own new lyrics. Best: Strawberry Swing.

29. Fleet Foxes - Helplessness Blues. Like Bon Iver, this is another indie act that achieved significant acclaim with its folksy debut and followed it up this year with a second album of similarly great material. Title track "Helplessness Blues" proves that, like Mumford & Sons have shown, folk music doesn't equate always with slow and quiet. Best: Helplessness Blues.

30. Raphael Saadiq - Stone Rollin'. Retro R&B is a trend right now for sure, but with so many great examples of it, like this eclectic set from Raphael Saadiq, I'm not ready for it to end. Stone Rollin' is an eclectic, decade-jumping work with a of heart and soul. Best: Go to Hell.


31. Wilco - The Whole Love. Wilco's eighth album delivers much of the same from the band as what we've heard before--accomplished alt. rock with influences from country and '70s rock. But it's the dynamite 7-minute opener, which dabbles a bit in Radiohead Kid A electronica and delivers a 2-minute guitar solo, that makes this album worthwhile. Best: Art of Almost.

32. The Naked and Famous - Passive Me, Aggressive You. Although "this year's MGMT" ended up being Foster the People, New Zealand's The Naked and Famous auditioned for the role with this lively, at times moody debut of new wave revival pop. Best: Young Gun.


33. Kanye West & Jay-Z - Watch the Throne. Two kings of rap show they can effectively share the throne with this collaboration, one of the year's most hotly anticipated albums. As you'd expect, modesty is rarely displayed on this album chock full of ego and big-name guests (including two acts named above). Best: Why I Love You.

34. Beady Eye - Different Gear, Still Speeding. One fourth of the former Oasis is up at #16 and the rest are here at #34. It might sound corny to say these albums sound like brothers, except for the fact that they literally are made by brothers, so its fitting. Oasis fans should find solace in the fact that both albums are pretty great, with this being the bolder and more upbeat of the two. Best: If I Had a Gun...

35. Rihanna - Talk That Talk. Another year, another Rihanna album. On her sixth outing, the Barbadian singer continued global chart domination with her most risque work yet, continuing to churn out frothy dance pop and laid back island-inspired grooves. Best: We Found Love.

36. Britney Spears - Femme Fatale. Britney got her career back on track with 2008's Circus and she continued her hit streak this year with this unabashedly frothy dance pop album. She slowed down a bit for the album's final track, "Criminal," and that proved to be interesting too. Best: Till the World Ends.

37. Katy B - On a Mission. Those needing a lesson on contemporary dance music styles could do worse than listen to Katy B's debut album, on which she explores a variety of contemporary and (recently) retro dance styles, including dubstep, garage and drum 'n' bass. Best: Lights On.

38. Real Estate - Days. On Days, Brooklyn-based Real Estate's second album, the band churns out mellow and melodic rock. They don't produce much in the way of variety, but have a pleasant sound--the kind of music that's a nice soundtrack to a sunny Sunday afternoon. Best: Green Aisles.

39. Washed Out - Within and Without. Washed Out wears its influences on its sleeves--its ambient electronica evokes names like Moby and Chemical Brothers. Another "chill" album that lives up to that nickname. Best: Eyes Be Closed.


40. Glee: The Music Presents - The Warblers. With The Warblers release, Glee came as close as it may ever come to putting out a proper album, since the group, which is really actor/singer Darren Criss and Tufts University's male singing group The Beelzebubs, sing all these songs a cappella, effectively imitating a bevy of instruments. Best: Teenage Dream.

Worst Album of the Year

Moby - Destroyed. I supposed it's unlikely this is actually the worst album of the year. Hopefully I never had a chance to hear that. Still, I was awfully disappointed by this bland release, which only recycled his old sounds.

Will Young "Come On"

"Come On" is another great track from Will Young's album Echoes, a remake of a Kish Mauve track released 2 years ago. I'm not into dog shows, or dogs for that matter, so I wasn't sure I was going to like his new video, but by the end, I decided it's pretty cute.

Album Review: Will Young - Echoes (4.5/5)

Why do I find Will Young so compelling? He's attractive, although not conventionally so. And yes, he sometimes sounds a bit like Mickey Mouse, but he can sing circles around most any other guy trying to score a pop hit in the last 10 years. And in fact, it's his unusual voice used so well that makes him so appealing. Sexy even.

My passion for Young remains hotly ignited with Echoes, his fifth album. This time he's gone out on a limb and teamed up with dance producer Richard X as the album's sole producer and first time Richard X has produced a full album. The resulting sound is an appealing landscape for Young’s songs, more love-burned and less lovelorn this time. Yes, it's more electronic than any of Young's prior albums, but I wouldn't call it dance music per se. Maybe the kind of dance music you put on but don't dance to. It's far too moody for that. Far better to glare across the room at some hot guy you've been pining for who won't give you the time of day. At least that's how I imagine first single "Jealousy" unfolding, a gorgeous, glittery upbeat number that ranks among the best of Young's album's first singles.

"Come On" is another stunner, a boisterously upbeat but not exactly happy song, as it sounds like it's about a break up--always fodder for a good hit, which this could certainly be if it's chosen as a single. "I Just Want a Lover" is another gem from the album's first half with a Scissor Sisters-worthy disco stomp over which brokenhearted Young pines for an easy lay to take the mind off his pain. It's the first of several tracks that recall the Bronski Beat-tinged sound of Young's recent Groove Armada collaboration, "History."

That sound continues into the album's solid second half with tracks like "Losing Myself," whose prominent synthesizer melody definitely nods to Bronski Beat's classic "Smalltown Boy." The driving closer, "Safe From Harm," is in a similar vein. It's not all retro dance though. "Hearts on Fire" has a more modern sound akin to Madonna's Confessions on a Dance Floor, seemingly blooming into the dance pop song you weren't sure it would be at first. "Good Things" too sounds like something that Madonna could have put out.

Which brings me to my one area of criticism with this album, which is its ballads. None of them are particularly memorable for me, which is surprising given that sound of my all-time favorites by him are slow songs ("Leave Right Now," "Love Is a Matter of Distance," "All Time Love" and "You Know Me," in particular). They aren't bad by any means, but "Lie Next to Me" and "Silent Valentine" feel somewhat slight against the boldness of the dance pop tracks. And "Outsider" is just too melancholy for me. Young tries to express vulnerability on these songs, but I actually think he comes across as more vulnerable on the songs where’s he’s trying to mask his pain rather than revel in it.

Better is the downbeat “Happy Now,” which, doesn’t at all live up to its name, sounding like moody early ‘90s Pet Shop Boys (and nothing like Take That’s recent single of the same name), and “Runaway,” which I guess isn’t really a ballad, but serves the same purpose with its hushed vocal and gentle melody, despite the dance beat.

I was going to give this a "4," as I feel it isn't quite as good as Friday's Child or Let It Go, but I think it deserves to be more in the company of those superior albums than From Now On or Keep On, Young's enjoyable but less fully formed first and third albums. It's possible it will continue to grow on me, as I find I'm liking it more and more with every listen.

Best: Jealousy, Come On, I Just Want a Lover, Losing Myself, Hearts on Fire

Will Young on American Idol

I'm not watching this season of American Idol, but I was quite pleasantly surprised to catch the last few minutes of it last night as I turned on the TV to watch Glee and saw...Will Young! I knew that his "Leave Right Now" had been chosen as Idol's "exit music" this season, but I didn't expect he'd be appearing on the show. "Leave Right Now" is #25 on iTunes this morning.

This and That

I was surprised to see Will Young's "Leave Right Now" show up in the featured new releases on iTunes this morning. Turns out the 2003 single was chosen as the exit music for this season's American Idol. Last year's exit song, Carrie Underwood's remake of Motley Crue's "Home Sweet Home," peaked at #21 on the Hot 100.

Estelle's new single is out. "Freak," featuring Kardinal Offishall, is a pretty minimalist affair, mostly just Estelle rapping over beats with no tune. At some points the song interpolates Soul II Soul's 1989 hit "Back to Life." Here's the video:

November New Releases

The usual autumn glut of big-name releases continues. In particular, I'm quite excited about Robbie Williams' new album, which I hope will be excellent. I'm also hopeful that Leona Lewis, like Kelly Clarkson, will really shine on her second outing. Rihanna's promised a racy fourth album. And then there's Glee...swoon. What a month!

Highlights

Robbie Williams - Reality Killed the Video Star (Nov. 9). Robbie Williams returns after a 3-year absence with his 8th studio album. It's produced by Trevor Horn, formerly of the Bubbles (from whom the title comes, a reference to their MTV classic "Video Killed the Radio Star"), who also produced the last Pet Shop Boys album (and the Pet Shop Boys in turn appeared on Robbie's last album Rudebox--see the connections?). Back in the mix this time as songwriter is Guy Chambers, the longtime Williams collaborator who did not appear on Rudebox or Intensive Care. First single "Bodies" is already an international smash.

Rihanna - Rated R (Nov. 23). Rihanna returns with her fourth studio album, following up the massively successful Good Girl Gone Bad that produced three US #1 hits and four other top 40 singles. Dark first single "Russian Roulette" is co-written with Ne-Yo, whose said the album overall is edgier than her previous work. Justin Timberlake, The Dream, and Tricky Stewart also collaborated with the Barbadian singer.

Leona Lewis - Echo (Nov. 16). The 2006 X Factor winner, who became the first British reality-TV-launched artist to crack the US (as well as the rest of the world) with massive hit "Bleeding Love," returns with her second album. Expect more finely crafted pop from all the industry's biggest craftsmen--Simon Cowell, Clive Davis, Ryan Tedder, Justin Timberlake, Ne-Yo, Xenomania, Etc. First single "Happy" was released in the US weeks ago.

Glee: The Music Volume (Nov. 3). Anybody who loves pop music, musicals, high school romance, teacher feuds, and is gay (or has plenty of gay friends) should be watching Glee. It's fall's best new show. I'm absolutely infatuated with this show (and the hot teacher, played by Matthew Morrison). The hit mash-ups are missing, but all the show's other major musical moments are here, such as the pilot's "Don't Stop Believin," and memorable fall moments like "Somebody to Love," "No Air," "Gold Digger," "Keep Holding On" and "Bust a Move."

Norah Jones - The Fall (Nov. 17). For her fourth album, Norah Jones has reportedly taken a new direction. How far she'll stray from her winning formula of jazz-influenced pop/folk is anybody's guess. First single "Chasing Pirates" has a bit of an '80s feel to it I think. However she swings it, Grammy nominations will undoubtedly follow next year.

John Mayer - Battle Studies (Nov. 17). Yet another Grammy favorite releases his fourth album. Mayer's last album, Continuum, was a contender for Album of the Year, so expectations are high for Battle Studies, which the singer has said will take a new direction (see a trend?). The album's first single, "Who Says" is off to a good start at iTunes.

Carrie Underwood - Play On (Nov. 2/3). The former American Idol turned major country star releases her third album featuring first single "Cowboy Casanova." Most of the album is produced by Mark Bright, with one track from Swedish pop producer extraordinaire Max Martin. Pop songwriters Kara DioGuardi and Chantal Kreviazuk also lend a hand.

Adam Lambert - For Your Entertainment (Nov. 24). Last season's American Idol runner-up Adam Lambert is expected to release his debut this month. Lambert's latest single, "Time for Miracles," will reportedly not appear on the album (its from the dreadful looking film 2012). Given the relative mystery and lack of first single, I wouldn't be surprised if it gets pushed back to next year (despite certain record company pressure to get this in stores for the holidays).

Other releases

Nov. 2/3

Amerie - In Love & War. The R&B singer puts out her fourth album.

Weezer - Raditude. Weezer's not very hot at the moment, but they have a new album.

Nov. 9/10

JLS - JLS. The X Factor contestants release their debut album featuring #1 hit "Beat Again" and new single "Everybody in Love."

Britney Spears - The Singles Collection. Britney Spears releases a career-spanning greatest hits collection, featuring all her major hits plus new single "3," which recently topped the US singles chart.

Snow Patrol - Up to Now. Snow Patrol releases its greatest hits, featuring new single "Just Say Yes" plus hits like "Chasing Cars," "Run," and "Take Back the City."

Bon Jovi - The Circle. The famous '80s "hair" band releases its 11th album.

Biffy Clyro - Only Revolutions. Scottish band releases its fifth album.


Nov. 16/17

Janet Jackson - Number Ones/The Best. Janet Jackson releases a 2-CD career-spanning greatest collection, uniting her singles under A&M, Virgin and Island Records. Includes 33 hits plus new single "Make Me."

Will Young - The Hits. Will Young collects his 12 biggest hits plus two new songs including current single "Hopes and Fears."

Kris Allen - Kris Allen. This year's American Idol winner releases his debut album featuring first single "Live Like We're Dying," not to be confused with Tim McGraw's "Live Like You Were Dying."

Stereophonics - Keep Calm and Carry On. British rock band known for hits like "Dakota" and "Handbags and Gladrags" releases their 7th studio album. First single is "Innocent."

Nov. 23/24

Timbaland - Shock Value 2. This was slated for release months ago, then it vanished, and now it's back on the docket. Expect a similar slate of high-profile guests such as Justin Timberlake (of course), Katy Perry, Lady GaGa, Keri Hilson, Chris Brown, T-Pain, Lil Wayne, Missy Elliott, Drake, and Brandy.

Sugababes - Sweet 7. The decade's ruling girlgroup (well, tied with Girls Aloud in any case) releases their 7th album. Not bad for a pop act whose first album scored only one top 10 hit. The hits don't seem to be coming as easily these days--their last two albums scored only one top 10 hit each. This album was rush re-recorded to replace departing member Keisha Buchanan's vocals with those of new member Jade Ewen (except for "Get Sexy," which had already been released).

Jay Sean - All or Nothing. British R&B artists releases his third album, which is also his American debut, featuring US #1 hit "Down."

Lady GaGa - The Fame Monster. Lady GaGa re-releases her mega-successful album with new material.

Mary J. Blige - Stronger. R&B singer releases her ninth album.

50 Cent - Before I Self Destruct. It really will be a miracle of this gets releases before his career implodes. Talk about self-fulfilling prophecy (note: When I started drafting this article a couple of weeks ago, the release date was Nov. 2, note the 3 week slip...already.)

Nov. 30

Westlife - Where We Are. The Irish boyband has been together 10 years now. Unlike other boybands, they've never needed a comeback, because they've never gone away. This year Westlife releases its 10th album. First single is the Daughtry remake "What About Now."

The Bravery - Stir the Blood. New York band releases its third album.

Will Young's Greatest Hits

Thanks Paul for informing me that Will Young is releasing a greatest hits collection in November. While I'm a big Will Young fan, I can't help but feel this is a bit premature. I think he needs another album's worth of singles to be able to have a truly stunning set. As it is the set is a rather lean 12 tracks--3 from each album. Nonetheless, even this results in some omissions, for better or worse:

1. Anything Is Possible. Cathy Dennis penned this track for Will, but it was the single's other track--the remake of Westlife's "Evergreen"--that became the hit, while this barely received any attention. Still, it's not bad, although no Will Young "classic" for sure.

2. The Long and Winding Road. This was a #1 hit in 2002--Will's third--and an ill conceived Beatles remake turned love duet with Pop Idol buddy Gareth Gates. It may have seemed like a good idea at the time, but since then the folly has been revealed time and again.

3. Don't Let Me Down. This was the double-A side with "You and I," but wasn't included on From Now On, making it a rather hard-to-find release (iTunes doesn't have it, for example). It's a rather good song and was actually a slightly bigger hit at radio than "You and I."

4. Love The One You're With/Love Is a Matter of Distance. Friday's Child had only three singles, which was a real shame, for there were so many other potential hits--namely these two singles, the upbeat opening track and one of Will's most lovely ballads.

5. All The Things You Are. Will's forray into the movie musical (Mrs. Henderson Presents) included this song from him. Not bad.

6. Tell Me The Worst. Let It Go was such a good album. If this was a just pop music world, this album would have had 6 singles.

Here's what is included, plus two new tracks:

1. Evergreen
2. Light My Fire
3. You and I
4. Leave Right Now
5. Your Game
6. Friday's Child
7. Switch It On
8. All Time Love
9. Who Am I
10. Changes
11. Grace
12. Let It Go