Best of 2011: Albums

1. Adele - 21. This year, Adele's 21 proved resolutely that the pop album is not dead. That a young woman from Britain can release an album to near universal acclaim and appeal is really something, recalling the great pop albums of the '80s. In an era where tastes are sliced, diced, dissected, genred and market-tested to death, it's nice to know we can still all come together around something that we all like because it's just that good. Best: Someone Like You.

2. Lady Gaga - Born This Way. Lady Gaga is basically the polar opposite of Adele, but I have plenty of space for her and her dazzling third album in my year-end top 10. Born This Way was funkier and more ambitious than The Fame or Fame Monster, ultimately proving to be her best and most cohesive work yet. Even if the singles aren't all hitting #1 anymore, she's still got the touch. Best: Born This Way.

3. PJ Harvey - Let England Shake. This was the critics' favorite album of 2011, but don't let that stop you from enjoying it too. History buffs will appreciate Harvey's historical references to specific World War I battles. Music fans will just enjoy her eclectic mix of sounds and clever lyrics. Best: The Glorious Land.

4. The Strokes - Angles. This is the one album among my favorites that I'm surprised to see missing from most other year-end lists. I thought Angles, The Strokes' fourth album, was a winning return to form form the band many consider the most "important" of the '00s indie rockers, putting in some of their trademark simple arrangements but also exploring new wave and other territory. Best: Machu Picchu.

5. Foster the People - Torches. I'll give Torches the award for the year's best debut. Foster the People--aka this year's MGMT--dominated pop radio this fall with "Pumped Up Kicks," but their lively debut has lots of other gems from the indie band. I'm surprised they haven't scored a follow-up hit yet. Best: Helena Beat.

6. Will Young - Echoes. Here's one I'm not surprised isn't on a lot of year-end lists, but it's a shame, for Will Young turned out another fine pop album with Echoes, employing producer Richard X to give his love-spurned pop songs a pleasing electronic veneer. Best: Jealousy.


7. Coldplay - Mylo Xyloto. Coldplay continue to earn their keep on this fifth album. Although at times it feels that Chris Martin & company are too eager to please, they still churn out their brand of pop/rock uplift effectively. Best: Every Teardrop Is a Waterfall.


8. Florence + the Machine - Ceremonials. On their second outing, Florence Welch & co. rocked out with even bolder and better songs than on their 2009 debut Lungs, with a larger than life sound that proves everything and the kitchen sink can be a god thing. Best: Shake It Out.


9. The Weekend - House of Balloons/Thursday/Echoes of Silence. The modern R&B mix tape became a staple of 2011, as artists too cool for things like labels, albums and selling their music, took to the internet to give us free tastes of their remakes, remixes and original songs. The Weekend's House of Balloons was the best of that set, but his follow-up Thursday was interesting too, and although I'm just starting to enjoy his third set, Echoes of Silence, it's clear already that it ranks up with the other two. Best: What You Need.

10. Beyoncé - 4. With I Am...Sasha Fierce, Beyoncé proved she could put out a blockbuster two-disc concept album that stocked radio with hits and earned her critical acclaim at the same time. With her fourth album, 4, she didn't have to prove anything, freeing her to buck the electro trend and put out a mostly acoustic set ranging from the manic "Countdown" to the Prince-worthy "1+1." Although it didn't sell as well, it showed a great deal of artistry and continued growth. Best: Countdown.

11. Foo Fighters - Wasting Light. Along with Adele and Lady Gaga, this is one of three albums released this year nominated for the Grammy Award for Album of the Year. Although some said it was a surprise, I thought it was totally deserving, representing a solid set of muscular guitar-rock. Best: These Days.

12. The Decemberists - The King Is Dead. Gotta love a good indie band from my hometown, especially when they start the year off with putting out a great album like this. When I reviewed this album, I said they reminded me of a folksier, more backwater R.E.M. Best: Down by the Water.

13. St. Vincent - Strange Mercy. This was my first exposure to American musician St. Vincent, who put out this highly compelling set of eclectic and deftly produced tunes. Best: Chloe in the Afternoon.



14. James Blake - James Blake. Another important trend this year was dubstep, which, frankly, I still have trouble identifying, but apparently this was one example. Whatever you want to call it, I thought it was crafty, soulful electronic that recalled both The XX and Bon Iver. Best: The Wilhelm Scream.

15. Lykke Li - Wounded Rhymes. Joining the long line of Swedish pop tradition (Abba, Roxette, Ace of Base, Max Martin, Robyn) this year was Lykke Li, whose lo-fi production style was, in many ways, the antithesis of the usual Nordic gloss, but still with an ear for a good pop tune. Best: Sadness Is a Blessing.

16. Noel Gallagher's High Flying Birds. Sure, Oasis split last year, but they all kept making music. You'll find the rest of the gang further down this list. Both were very good, but I felt that Noel Gallagher's songwriting skills meant that his album was just a little bit better. Best: If I Had a Gun...

17. Take That - Progressed. Take That's album Progress was one of my favorite albums of 2010. In fact, it's one of my favorite pop albums of all time. This follow-up EP was a welcome second helping of that album's greatness. Best: When We Were Young.



18. Amy Winehouse - Lioness: Hidden Treasures. Posthumous releases should always be viewed with suspicion, but thankfully this one manages to be an appropriate tribute to an amazing singer gone before her time. Her modern take on '60s soul remains one of pop music's most interesting tricks in recent years. Best: Our Day Will Come.

19. Jessie J - Who You Are. Jessie J received so much hype that it would be hard for the singer to live up to it. And yes, her album wasn't "all that," but it was still pretty decent pop from the strutting "Do It Like a Dude" to the affecting title track. She's got a lot of people in her corner. Album #2 could be even more interesting. Best: Who You Are.

20. The Civil Wars - Barton Hollow. Like Isobel Campbell & Mark Lanegan, Robert Plant & Alison Krauss and Glen Hansard and Markéta Irglová, The Civil Wars achieves a beautiful alchemy with the tried-and-true formula of a male/female vocal harmony over a lovelorn folksy sound. And then they kicked up their heels with the album's title track. Moving and fun. Best: Poison & Wine.

21. The Black Keys - El Camino. These southern-influenced blues rockers from Ohio shifted their sound more toward classic rock & roll for this seventh album. More and more they sound less like the stopgap for The White Stripes' absence and more like that duo's worthy successor. Best: Dead and Gone.


22. Ed Sheeran - +. I didn't get around to reviewing this album, since I only recently got it (consider it a 4/5 rating). Although I wasn't initially sold on Sheeran via "The A Team," in the end, I was ultimately won over by his acoustic-leaning pop debut, particularly its more upbeat tracks. Best: Lego House.

23. Radiohead - The King of Limbs. That Radiohead's eighth album is more of an exercise in sounds than in songs means this album won't be for everyone, but for those who like Kid A and Amnesiac because of that, then should be up your alley. Best: Bloom.


24. Kasabian - Velociraptor!. Fourth album by British rockers Kasabian finds them mining familiar '60s territory but with a bolder take than on their last album. Best: Days Are Forgotten.



25. Death Cab for Cutie - Codes and Keys. For their seventh album, these indie rockers from Bellingham, Washington, make their sound lighter and more modern than their recent works. Hints of Arcade Fire permeate the buoyant title track with its deep mix of strings, piano, guitar, bass and drums. Best: Codes and Keys.

26. Bon Iver - Bon Iver. The last thing Wisconsinite folk singer Justin Vernon probably thought when he released his 2008 debut, For Emma, Forever Ago, was that a few years later he'd be a major influence in alternative rock music. Even Kanye West got into him. On this second Bon Iver album, he gets a little more adventurous and manages to still please, even despite the deafening hype. Best: Towers.

27. Gil Scott-Heron and Jamie XX - We're New Here. Serving as an effective stopgap before the hotly anticipated second album from The XX, its member Jamie XX remixed nearly every track from the late soul and jazz poet Gil Scott-Heron, reinterpreting his quirky, final spoken-word album into a satisfying dose of late-night electronica. Best: The Crutch.

28. Frank Ocean - Nostalgia, Ultra. Singer Frank Ocean has been tipped to be a major breakout star next year. This year, however, he's already racked up a lot of acclaim for his self-released mix tape, a winning mix of original songs and remakes where he sings over popular songs with his own new lyrics. Best: Strawberry Swing.

29. Fleet Foxes - Helplessness Blues. Like Bon Iver, this is another indie act that achieved significant acclaim with its folksy debut and followed it up this year with a second album of similarly great material. Title track "Helplessness Blues" proves that, like Mumford & Sons have shown, folk music doesn't equate always with slow and quiet. Best: Helplessness Blues.

30. Raphael Saadiq - Stone Rollin'. Retro R&B is a trend right now for sure, but with so many great examples of it, like this eclectic set from Raphael Saadiq, I'm not ready for it to end. Stone Rollin' is an eclectic, decade-jumping work with a of heart and soul. Best: Go to Hell.


31. Wilco - The Whole Love. Wilco's eighth album delivers much of the same from the band as what we've heard before--accomplished alt. rock with influences from country and '70s rock. But it's the dynamite 7-minute opener, which dabbles a bit in Radiohead Kid A electronica and delivers a 2-minute guitar solo, that makes this album worthwhile. Best: Art of Almost.

32. The Naked and Famous - Passive Me, Aggressive You. Although "this year's MGMT" ended up being Foster the People, New Zealand's The Naked and Famous auditioned for the role with this lively, at times moody debut of new wave revival pop. Best: Young Gun.


33. Kanye West & Jay-Z - Watch the Throne. Two kings of rap show they can effectively share the throne with this collaboration, one of the year's most hotly anticipated albums. As you'd expect, modesty is rarely displayed on this album chock full of ego and big-name guests (including two acts named above). Best: Why I Love You.

34. Beady Eye - Different Gear, Still Speeding. One fourth of the former Oasis is up at #16 and the rest are here at #34. It might sound corny to say these albums sound like brothers, except for the fact that they literally are made by brothers, so its fitting. Oasis fans should find solace in the fact that both albums are pretty great, with this being the bolder and more upbeat of the two. Best: If I Had a Gun...

35. Rihanna - Talk That Talk. Another year, another Rihanna album. On her sixth outing, the Barbadian singer continued global chart domination with her most risque work yet, continuing to churn out frothy dance pop and laid back island-inspired grooves. Best: We Found Love.

36. Britney Spears - Femme Fatale. Britney got her career back on track with 2008's Circus and she continued her hit streak this year with this unabashedly frothy dance pop album. She slowed down a bit for the album's final track, "Criminal," and that proved to be interesting too. Best: Till the World Ends.

37. Katy B - On a Mission. Those needing a lesson on contemporary dance music styles could do worse than listen to Katy B's debut album, on which she explores a variety of contemporary and (recently) retro dance styles, including dubstep, garage and drum 'n' bass. Best: Lights On.

38. Real Estate - Days. On Days, Brooklyn-based Real Estate's second album, the band churns out mellow and melodic rock. They don't produce much in the way of variety, but have a pleasant sound--the kind of music that's a nice soundtrack to a sunny Sunday afternoon. Best: Green Aisles.

39. Washed Out - Within and Without. Washed Out wears its influences on its sleeves--its ambient electronica evokes names like Moby and Chemical Brothers. Another "chill" album that lives up to that nickname. Best: Eyes Be Closed.


40. Glee: The Music Presents - The Warblers. With The Warblers release, Glee came as close as it may ever come to putting out a proper album, since the group, which is really actor/singer Darren Criss and Tufts University's male singing group The Beelzebubs, sing all these songs a cappella, effectively imitating a bevy of instruments. Best: Teenage Dream.

Worst Album of the Year

Moby - Destroyed. I supposed it's unlikely this is actually the worst album of the year. Hopefully I never had a chance to hear that. Still, I was awfully disappointed by this bland release, which only recycled his old sounds.

Album Review: Radiohead - The King of Limbs (4/5)

A friend of mine who is a real audiophile recently explained to me opinion how music has suffered in general from the compression of dynamic range to make music sound better on portable devices like iPods. Since periods of relative quiet are annoying when canceled out by background noise and periods of ear-splitting loudness can be jarring, if not hazardous (especially if you turned the volume up to hear a quiet part), engineers are reducing the range of music so that everything falls in a comfortable albeit less interesting middle zone.

I don't mention this to comment on actual dynamic range of The King of Limbs, but something similar is going on with this 8th studio album from Radiohead. Whereas their last album, In Rainbows, as well as the others that came before it were marked with uptempo rockers ("Bodysnatchers," "Optimistic") and elegantly moody slow songs ("How to Disappear Completely," "No Surprises"), this album offers none of the former and little of the latter. Most of its rather short playlist of eight songs is fairly even-sounding, mid-tempo stuff.

There's also little focus on traditional melody and song structure; instead, Radiohead has really focused on the layering of sounds--mostly electronic, often distorted beyond recognition. Sounds loop over continuously in a way that actually quite reminds me of the new wave sound of Talking Heads' Remain in Light, the new wave classic I recently discussed for my Essential '80s Albums series. Radiohead's sound is more electronic though, evoking perhaps LCD Soundsystem.

None of this is said to disparage the album, for I find it rather enjoyable, although not as much as their greatest works (i.e. In Rainbows, Kid A, The Bends, OK Computer). A lonely piano trills through the beginning of "Bloom," whose sustained electronic notes would be expected to sustain perfectly but actually sometimes falter (purposefully presumed), while Thom Yorke's heavily reverbed vocal soars up through the piece. Horns weave through the song's second half, when the piano can once again be heard. "Morning Mr. Magpie's" layering of complex beats with bass, acoustic guitars and synthesizer effects creates a meditative quality. Guitar comes more to the fore on "Little by Little," which also has a complex, vaguely African beat to it (further reason for comparing this to Talking Heads) and an eerie middle section.

While the lyrics on "Little by Little" are mostly barely inaudible, they become fully incomprehensible on "Feral," which contains fragments of lyrics as if someone took a sonic eraser and smudged over the whole thing, leaving little traces that amount to whispers. It's a cool effect and a I rather like this song, despite it bearing little resemblance to a "song" at all.

"Lotus Flower" was selected as the album's single and it's as close as anything comes to being an actual song, although it's not a standout for me. What is though is "Codex," the album's most distinctive song, since it breaks the from the general layered focus of the other tracks to deliver something that is rather simple musically--it's mostly just piano and vocal with a few horns thrown and synth effects thrown in. Quite lovely, especially its instrumental climax. "Separator," the final track rolls along with surprisingly warmth and slightly retro feel, as if lightly kissed by some sunny '70s sun. Some surmise its title (along with the short running-time) suggests that The King of Limbs is the first of a two-part musical piece. If that's true, perhaps the rock 'n' roll is being saved for part 2? We shall see, but I don't need loud feedback to enjoy the ongoing musical exploration this group is taking is on.

Best: Bloom, Feral, Codex, Morning Mr. Magpie, Separator

New Radiohead Saturday

Radiohead has announced it will release it's eighth album this Saturday. Titled The King of Limbs, there's not much information about it yet. Just like last time, although it's been rumored as being in the works, they've dropped it as a bomb without much pre-release fanfare. It can pre-ordered from their website.

Fall Album Preview

The season with the biggest album releases of the year is upon us, an this year's fourth quarter has, as usual, quite a bit to offer. Rather than just cover September, I take a look at key releases for the rest of the year. Given the flexibility of release dates, these are subject to change, and it's quite likely that releases currently pegged for October or later could get pushed back--possibly to 2011 (or, yikes, maybe even never--it happens; ask Nicole Scherzinger).

The Fall 10
First up, here are the 10 essential releases this fall:

Coldplay - LP5 (December). It doesn't have a name yet, and it seems like it could easily get pushed to 2011, but if there's a chance we'll get a Coldplay album by 12/31/10, then it needs to be on my essential list. Coldplay's blog has said it is near completion, but now there are rumors it won't come out this year. Brian Eno is reportedly producing again.

Brandon Flowers - Flamingo (Sept. 6). The Killers lead single goes solo and already has a hit on his hands with the album's first single, "Crossfire," and its action-packed video starring Flowers and Charlize Theron. Flowers worked with rock producers Daniel Lanois and Brendan O'Brien, but also ensured consistency with the album's third producer, Stuart Price, who helmed the Killers' last album Day & Age (Price must be exhausted this year, after also producing the Kylie Minogue and Scissor Sisters albums). Rilo Kiley's Jenny Lewis sings with Flowers on "Hard Enough."

Kings of Leon - Come Around Sundown (Oct. 19). Prior to 2008, Kings of Leon were a somewhat well-known although hardly mainstream rock band. Only By the Night changed all that, turning the group into a sensation as well as chart-toppers with its major hits "Sex on Fire" and "Use Somebody," the latter of which was awarded the Grammy for Record of the Year earlier this year. Following up such unexpected success is probably daunting, so the band looks to be playing it safe by employing the same production team on this fifth album as on their last.

Maroon 5 - Hands All Over (Sept. 20). Although they've brought Robert John "Mutt" Lange (i.e. the former Mr. Shania Twain) to produce their third album, Hands All Over, indicators point to business as usual for the L.A.-fivesome. A band's press release called the new set "a killer hybrid of rock, pop, funk and R&B"--in other words, just like what they've done before. And first single "Misery" is a welcome sibling to their previous major hits like "This Love" and "Makes Me Wonder."

Ne-Yo - Libra Scale (Oct. 5). For his fourth album, Ne-Yo talks like it will be his most ambitious yet. Despite the fact that its first singles sound like his previous work ("Beautiful Monster" is a lot like "Closer," and "Champagne Life" is similar to "Miss Independent"), Libra Scale is a concept album. High concept actually. The title refers to the astrological sign, Libra, which is represented by a scale. With that in mind, Ne-Yo has said the album explores the themes of morality and balance between money, love, power and fame while telling the story of three garbage men who are offered everything they could ever want for protecting their city, but they can never fall in love. Alrighty. "Beautiful Monster" was a UK #1 but a misfire in the US.

Radiohead - TBD (no date). There's really little details about this, other than that the band has been recording this year, and gave an interview to BBC in June saying they hoped to get a new album out by the end of the year. Coming off of 2007's In Rainbows, Radiohead is well-positioned to deliver something fantastic.

Robyn - Body Talk Part II (Sept. 6) & Body Talk Part III (November). Swedish pop singer Robyn dazzled with Body Talk Part I earlier this summer, a sensational 8-track EP that delivered an intriguing blend of electric and acoustic pop. At the time, Robyn revealed it was the first of three EPs to be released this year. So anticipation is high parts II and III, due in early September and November respectively. Already out is Part II's single, "Hang with Me," which appeared in an acoustic version on Part I but gets its proper electro sheen for Part II.

Taylor Swift - Speak Now (Oct. 25). Top-selling digital artist of all time. Winner of the 2010 Grammy Award for Album of the Year. These are some pretty big achievements for the 20 year-old country/crossover star to live up to. Swift's second album, Fearless, was the top-selling album of 2009 in the US, scoring major country and pop hits with its singles "Love Story" and "You Belong with Me." For her third album, Speak Now, Swift will surely try again to conquer both country and pop charts. She's off to a good start with the album's first single, "Mine," which hit #3 on the Hot 100 and is already a hit at country and pop radio.

Take That - TBD (November). Take That 2.0 has been a massive success, with two albums under its belt and a number of hit singles, including "Patience," "Rule the World," and "Greatest Day." For their third comeback album, Take That welcomes back original member Robbie Williams for the group's first release as a fivesome since 1995. Little details about the album exist yet, other than that the first single will be "The Flood."

Kanye West - Dark Twisted Fantasy (Nov. 16). At one point, it was stated that this album would be called Good Ass Job, to coincide with the education-themed titles of West's first three albums. Apparently that was a red herring, and instead we'll be getting the ominously titled Dark Twisted Fantasy. The rapper took a detour to electro and singing on his fourth album, 808s and Heartbreak, but the assumption is that he'll turn back to hip-hop for this fifth release. First single "Power" is already out, but hasn't become a major hit.

Bonus:

Robbie Williams - In and Out of Consciousness: Robbie's Greatest Hits 1990 - 2010 (Oct. 12). Greatest hits collections aren't really albums, but I wanted to include this anyway in my highlights. Williams already had a greatest hits set in 2004, but this more comprehensive two-disc collection looks to be completely comprehensive, including songs missing from his last release (namely "Freedom," "Somethin' Stupid," "It's Only Us," and "Something Beautiful") along with hits he's had since then ("Tripping," "Lovelight," and "Bodies," among others). Perhaps most exciting is the collaboration with fellow Take That member and one time rival Gary Barlow, "Shame," which will be released before the reunited Take That work as a taste of what is to come.


Other releases
Those marked with an asterisk are the ones I'm most interested, apart from the ones above.

Sept 7

*Interpol - Interpol. Late last year I fell in love with this band's first album, Turn Off the Lights. Although I haven't much listened to their second and third albums, I've heard they aren't as good. Nevertheless, I'm interested in this eponymous disc, their fourth, and last with their original bassist.

Sara Bareilles - Kaleidescope Heart. The singer, who scored a major hit in 2008 with "Love Song," returns with her second album featuring quirky first single "King of Anything."

Sept 13/14

Linkin Park - A Thousand Suns. Linkin Park returns with their fourth album, produced by the same guys who did their last one, Minutes to Midnight. First single "The Catalyst" is already a big hit at rock radio.

Weezer - Hurley. No joke: the cover of the album is a shot of Jorge Garcia, the actor who portrayed Hugo Reyes (a.k.a. "Hurley") on the popular, just concluded ABC drama Lost. According to the band, the only reason they named the album Hurley is because Garcia is on the cover. So I guess this isn't a Lost-themed concept album? I guess we'll find out.

*The Script - Science and Faith. The Irish pop/rock band scored big in the US this year with their singles "Breakeven" and "The Man Who Can't Be Moved," but Americans probably don't realize those songs are 2 years old and the band is moving on to their second album this fall.

Of Montreal - False Priest. The Athens, Georgia-based group (no, they're not Canadian) release their 10th album.

Royksopp - Senior. The Norwegian duo is releasing an instrumental album, which they've said is the darker, atmospheric counterpart to their last album, Junior.

Blonde Redhead - Penny Sparkle. I was impressed by the group's last album, 23, but I don't know much about this upcoming release, the group's eighth album.

Phil Collins - Going Back. For his first album in 8 years, Phil Collins does a set of '60s motown and soul covers.

Sept 20/21

Seal - Seal VI: Commitment. Mr. Heidi Klum puts out his sixth album of new material, following his last album of covers. First single "Secret" is already out.

Manic Street Preachers - Postcards from a Young Man. The British rock band releases their 10th album, which the band has said is targeted to mainstream audiences.

Diddy - Last Train to Paris. The once powerful rapper releases his fifth album.

Shontelle - No Gravity. The Barbadian singer, who scored a hit earlier this summer with "Impossible," releases her first album.

Selena Gomez & the Scene - A Year without Rain. The Disney darling puts out her second album featuring hit single "Round and Round."

Paula Cole - Ithaca. Although she's best known for singing the theme to Dawson's Creek, there was once a time when Paula Cole was a big star (her second album, This Fire, was a Grammy nominee for Album of the Year and contained two major hits). This is her fifth album.

Sept 27/28

*Mark Ronson & the Business Intl - Record Collection. Producer Ronson's last album, Version, scored some big hits, particularly with British singers Amy Winehouse ("Valerie") and Lily Allen ("Oh My God"). This new album features a more eclectic list of collaborators, from Q-Tip to the Duran Duran to the London Gay Men's Chorus. First single "Bang Bang Bang" wasn't a smash, but it grew on me.

*Estelle - All of Me. This one isn't fully confirmed, but I hope it happens. Her second album, Shine, was a real treat, especially its big hit "American Boy." Estelle misfired with the first advanced single from this, "Freak," but second single "Fall in Love" aims for the same kind of bubbly joy "American Boy" Delivered.

KT Tunstall - Tiger Suit. The British pop singer returns with her third album, featuring different first singles in the UK ("(Still a) Weirdo") and the US ("Fade Like a Shadow").

T.I. - King Uncaged. T.I.'s last album scored some huge hits, including #1 collaboration with Rihanna "Live Your Life." This is his 7th album.

Athlete - The Singles 01:10. The British rock band puts out their greatest hits. Apart from their 2005 album Tourist and its big hit "Wires," I don't really know their catalog.

Oct 5

David Archuleta - The Other Side of Down. The former American Idol runner-up releases his second album.

Ciara - Basic Instinct. Fourth album from her with production from The-Dream and Tricky Stewart.

Antony & the Johnsons - Swanlights. The Mercury Prize-winning group puts out a fourth album.

Oct 11

Lee Ryan - Confessions. The former member of Blue is set to release his second album, although response to early release single, the double A-side "I Am Who I Am" and "Secret Love" was so tepid that I wouldn't be surprised if this doesn't come to fruition.

Oct 25/26

Good Charlotte - Cardiology. Yes it's true that I know somebody who knows somebody who knows Good Charlotte (quite well in fact, since it's the Maddens' mother). That little tidbit aside, I'm really not a big fan, but they have put out some fun songs. This is their fifth album.

Kid Cudi - Man on the Moon II: The Legend of Mr. Rager. "Day N Nite" was a hit, but can Kid Cudi do it again? This is his second, reportedly darker, album.

Roll Deep - Winner Stays On. On the back of recent #1 hits "Good Times" and "Green Light," the British hip-hop collective releases its fourth album.

Joe McElderry - Last year's winner of The X Factor, the first since Steve Brookstein not to have landed the Christmas #1, releases his debut.

Oct 29

*Kelly Rowland - Kelly Rowland. Ms. Kelly, her second album, wasn't a big hit. But it did produce some great singles. I actually really liked all them--the go-go flavored "Like This," the Travie McCoy collaboration "Daylight," and the Freemasons remix of "Work." After having a global smash with David Guetta last summer, "When Love Takes Over," it's no surprise this album will feature more dance music, including the recent single "Commander," another Guetta collaboration. Yet the other early releases, "Rose Colored Glasses" and "Grown Woman," have a more R&B feel.

Nov. 2

Jay Sean - Freeze Time. "Down" and "Do You Remember," hits from Jay Sean's last album, All or Nothing, made him a star in the US, although the singles stopped coming sooner than they should have. First single from this fourth album, "2012," is already out, but I'm not feeling it.

Nov 8

Tinchy Stryder - Third Strike. British hip-hop artist returns with his third album. "In My System" was the recent first single.

Nov 15/16

Nelly - Nelly 5.0. Nelly's sixth album is due for release in November. But given how many times his last album was pushed back, I'll wager this is tentative.

Kid Rock - Born Free. Kid rock's eighth album features a string of collaborators from both the worlds of rock (Sheryl Crow, Uncle Kracker), country (Taylor Swift, Zac Brown, Martina McBride), and rap (Eminem, Jay-Z, T.I. and Lil Wayne). Sounds like an interesting mix.

Nov 22

Alesha Dixon - The Entertainer. The first single is called "Drummer Boy," and Gary Barlow is going to write for it. Dixon is apparently a reality TV star now, so she may not have much time for this.

Nov 29

Susan Boyle - The Gift. For that bit of market that Taylor Swift isn't able to corner this Christmas season, there's Susan Boyle, ready with her second album. Go SuBo!

Unspecified

While there isn't a specific release date yet for these, it seems pretty safe to assume they will be out this fall.

Natasha Bedingfield - Strip Me. The British singer's third album is apparently done, but no release date yet. "Touch" was released as a single in the US over the summer, but didn't become a hit.

*Sophie Ellis-Bextor - Straight to the Heart. After some delay, Sophie Ellis-Bextor is set to release her fourth album sometime in October or November. It will include recent hits "Heartbreak (Make Me a Dancer)" and "Bittersweet," as well as the new single with Armin Van Buuren, "Not Giving Up on Love."

Flo Rida - The Only One. His third album, reportedly a double. First single "Club Can't Handle Me" was a recent UK #1 and a current US hit.

Limp Bizkit - Gold Cobra. This is the fifth album for the band, their first since 2003's Results May Vary. While some tracks have been released, I haven't seen a release date for the album yet.

McFly - Fifth album. The first single, "Party Girl," is already at British radio, so it's a pretty safe bet this will be released. While no specific date is set, it's rumored for November, and the band says it will reveal the name soon.

Rumors
These appear on less solid footing to get a release this fall, but it is possible.

Adele - Second album. Late last year it was rumored that Adele would follow-up her successful 2008 debut by the end of the year, but at present, there's no solid information about it. I expect to see it in early 2011.

Beastie Boys - Hot Sauce Committee Part 1. This reportedly sample-heavy set had been scheduled for release in September...until band member Adam Yauch came down with cancer.

Cheryl Cole - Second album. Ms. Cole has been hard at work on her second album, including collaboration with Ryan Tedder, RedOne and Starsmith. Although this was once pegged for an October release, Cole contracted Malaria over the summer, and it's unclear whether her illness and recovery time could create a delay in getting this done and out.

Evanescence - Third album. Once scheduled for a late summer release, this has been delayed for creative reasons and may also be affected by label problems.

Fleet Foxes - Second album. The band has been working on this for some time, as they apparently once said it would be out in 2009. Rumored title is Deepwater Horizon.

Michael Jackson - First posthumous album. Sony has a contract with the Jackson estate to put out seven posthumous releases, based on his extensive recordings vault. This first one is tentatively due in November.

Avril Lavigne - Fourth album. Here's another one that's been worked on for some time. Lavigne's last album was 3 years ago and since then she's been recording on her home studio.

Jennifer Lopez - Love? Here's one we may never see. Originally planned for a release early this year, the album got pushed back after neither of its first singles ("Fresh Out of the Oven" and "Louboutins") found a mainstream audience, although both were dance #1s. Subsequently, Lopez and her label parted ways. Although she has a new label, work on the album continues, and I wouldn't be surprised if the delay leads to a new direction for her next release.

My Chemical Romance - Fourth album. First album since the departure of Bob Bryar. The band announced earlier this summer that the album was finished, but I haven't seen a title or release date yet.

Plan B - The Ballad of Belmarsh. Supposedly this will continue the story of The Defamation of Strickland Banks but be more hip-hop. Plan B's record label took a pass though, so he intends to release it himself. No date is set.

Pussycat Dolls - Third album. Their lineup has changed, and I can't be troubled to figure out how exactly, but it seems to have something to do with Nicole Scherzinger possibly leaving at one point (she's apparently not though).

Britney Spears - Seventh album. It's in the works, but I don't know anything more.

The Streets - Computers and Blues. Mike Skinner is said he's tired of "The Streets" and that this will be the final album under the monicker. Two years ago he said he expected to release this 2 years later (i.e. sometime this year).

Shayne Ward - Third album. This has apparently been a struggle, leading to the departure of Ward's manager, X Factor judge Louis Walsh. Current word is that it will be out in December.

Westlife - Eighth album. Reportedly in the works, but not much is known yet.

Best of 2000s: Radiohead - In Rainbows (5/5)

With In Rainbows, Radiohead blended the best of Kid A experimentalism with The Bends songcraft. The results are a quite satisfying mix of sonically ambitious yet accessible songs, ranging from the frenzied beats of opener "15 Steps," and rockin' "Bodysnatchers" to somber slow tracks like "Nude" and "All I Need." Best is the trio of songs in the second half--"Reckoner," "House of Cards," and "Jigsaw Falling Into Place"--that all typify the best of what the band can be, exhibiting warmth, depth and despair.

Best: House of Cards, Reckoner, 15 Steps, Jigsaw Falling Into Place, All I Need, Nude, Bodysnatchers

Best of 2000s: Radiohead - Kid A (4.5/5)

Kid A is a brilliantly weird album that took me about 3 years to embrace, but I'm so glad I finally did. The experimental album, a blend of electronic and traditional rock sounds, pushed Radiohead in a new and unusual direction with very positive results. "Everything in Its Right Place" is one of my favorite electronic sounds, a lovely almost eerie sound is achieved by the layering of synth chords and distorted voices. "How to Disappear Completely" is similar, but even more melancholic, opening with creepy synths and sad acoustic guitar strumming. Depression never sounded better. While a few tracks get a little too strange--"Treefingers" and "Kid A" sound like the kind of music that plays in the background of a weird modern art exhibit--the music works as a coherent album, despite all the different directions it takes.

Best: Everything in Its Right Place, How to Disappear Completely, The National Anthem, Morning Bell, Idioteque, Optimistic, In Limbo

Album Review: Radiohead - Amnesiac (2001, 4/5)

After reviewing Radiohead's Kid A a couple of months ago, it only made sense for me to turn my attention to its de facto sequel, Amnesiac. Released just 10 months after Kid A, Amnesiac was recorded at the same time. Althought it had been promised as the standard rock counterpoint to Kid A's experimentation, as it turns out, that was not to be. While Amnesiac isn't as "space age" as Kid A, it's darker--eerie even, and just as odd. It's also less consistently good, which isn't to say it's bad, but not as many of the tracks here rise to the great heights as those on Kid A.

The album opens strongly. "Packt Like Sardines in a Crushd Tin Box" begins with a metallic clanging noise before the electronic keyboards and effects kick in. It's fairly mellow, as is second track "Pyramid Song," a darker track notable for its strong piano chords played in an off kilter time signature. That, combined with the There Will Be Blood-like strings that come in later, create an eerie, unnerving sound.

My favorite track has to be "Knives Out." It's the one track on the album that most closely embodies a timeless Radiohead sound--dark, layered and melodic with crooning vocals. It's also more traditional musically, with guitar, bass and drums driving the melody rather than synthesizers. "You and Whose Army?" is a lovely piece of melancholy that starts with only guitar, Thom's distorted crooning and some mellow background vocals. Eventually the drums kick in, then some sharp piano chords, swelling the melody during the song's second half.

"I Might be Wrong" is an upbeat rock track, opening with prominent bass guitar over a long synth effect. It's the album's most rhythmic, head-nodder, not unlike the more upbeat numbers of In Rainbows. "Dollars and Cents," another harbinger of the In Rainbows sound, albeit darker, is a cool mix of beats, electric guitar and strings.

As for the other tracks, there's nothing bad here, but it's just not as interesting. "Pulk/Pull Revolving Doors" is probably my least favorite track, consisting of little more than fuzzy beats and '60s-style sci-fi effects (I think I hear the Star Trek transporter), with a little tinkle of piano here and there. "Morning Bell/Amnesiac" is actually a new version of Kid A's "Morning Bell." The inevitable comparisions between Kid A and Amnesiac are by definition most strongly made here. Kid A's "Morning Bell" is a warm track of keyboards and beats. Amnesiac's "Morning Bell/Amnesiac," drops the beats and keyboards for an eerie cacophony of tinny sounds. I have to say I prefer the Kid A version, although it's interesting how the mood of the song can change with a different production.

The last part of the album is its weakest. "Hunting Bears" is a moody instrumental track of sparsely played electric guitar and keyboard. The grand electronic sound effects and distorted synths of "Like Spinning Plates" remind me of Muse (is there a band that owes its sound to Radiohead more than Muse?) "Life in a Glass House" is probably the album's most bizarre track. Featuring piano, horns and vocals, it sounds like a sad lounge act nearing the end of a depression-fueled bender of an evening.

Still, overall it's pretty good, backing off just a bit from the Kid A experiment with some more traditional songs like "Knives Out" and "You and Whose Army" and going into darker, eerier territory.

Best: Knives Out, Pyramid Song, You and Whose Army?, Packt Like Sardines in a Crushd Tin Box, Dollars and Cents, I Might Be Wrong

Album Review: Radiohead - Kid A (2000), 4.5/5

With no new releases for 2008 that interest me yet, I thought I might review a few older albums from the decade. I loved Radiohead's In Rainbows from last year so much that it's gotten me interested in really digging in to understand the band. Kid A has to be one of the oddest albums I've ever listened to. In the past, I'd listen to the first track, the brilliant keyboard-rich "Everything in Its Right Place," which sounds like ambient science fiction stuff. After that though, I'd lose interest. So many of the "songs" (if we can even call them that) on Kid A are very unusual. After listening to it last night though (after a few rounds of margaritas), I think I get it. And I like it!

Kid A has to be understood in the context of OK Computer, the band's 1997 album that was heralded as a masterpiece. It was experimental, high minded, award-winning, critically acclaimed, and a global best-seller. Kid A then, which came out 3 years later, is a reaction to that success, but rather than a cliched "fame sucks" exercise, Radiohead basically blew themselves up for the album, ditching the traditional "band" structure (singer, guitar, bass, keyboard and drums) for something entirely new. Those elements do appear, but they aren't the essential ingredients. A lot of the album is electronic, but certainly not techno, as that would be too rigid structurally. Kid A is more free flowing, like improvisational jazz, such as the latter part of "The National Anthem," a cacaphony of sound over a driving bass line. The lyrics, if they even mean anything (that's certainly up for debate), are sometimes distorted to the point they cannot be heard.

"How to Disappear Completely" opens with eerie keyboard effects and acoustic guitar and features an undistorted Thom Yorke vocal. It's a beautiful and sad song, which, if I read it right, is about self-alienation. Strings take over for the last minute, wailing as if they're crying. "Optimistic" is driven by electric guitar and drums and also has a standard vocal. Together these are the most traditional songs on the album, and would sound at home on In Rainbows.

Other tracks would not however, such as the instrumental "Treefingers" or "Kid A," which I can best describe as sounding like science fiction minimalism--the kind of thing that might appear on the soundtrack to some pretentious film about robots. "Kid A" has a vocal, but it's so distorted I have no idea what's being said.

Hyrbrid "In Limbo" blends the sci-fi keyboards with more traditional bass and drums. Most of the vocals are distorted by the music, except a few, like "I'm lost at sea" and "I lost my way," so the sentiment is at least clear if the the meaning isn't. The song get shoved down a sonic blender at the end, churned out like the sound of the sea, before giving way to the hard electronic beats of "Idioteque," which features keyboards that sound like they're from an old sci-fi movie.

"Morning Bell" is mellower and more melodic: keyboards and standard vocals over beats. It's featured in an alternate version on their next album, Amnesiac (2001), which was recorded at the same time as Kid A. "Motion Picture Soundtrack" finishes the album off with distorted organ, which manages to sound both hopeful and melancholic. There's a big pause of silence, then more weird electronic music.

The more I listen to this album, the more I like it. Although I still prefer In Rainbows to this, I now appreciate Kid A more than I used to.

Best: Everything in Its Right Place, How to Disappear Completely, The National Anthem, Morning Bell, Idioteque, Optimistic, In Limbo